Daniel said to Nebuchadnezzar:
“In your vision, O king, you saw a statue,
very large and exceedingly bright,
terrifying in appearance as it stood before you.
The head of the statue was pure gold,
its chest and arms were silver,
its belly and thighs bronze, the legs iron,
its feet partly iron and partly tile.
While you looked at the statue,
a stone which was hewn from a mountain
without a hand being put to it,
struck its iron and tile feet, breaking them in pieces.
The iron, tile, bronze, silver, and gold all crumbled at once,
fine as the chaff on the threshing floor in summer,
and the wind blew them away without leaving a trace.
But the stone that struck the statue became a great mountain
and filled the whole earth.
“This was the dream;
the interpretation we shall also give in the king’s presence.
You, O king, are the king of kings;
to you the God of heaven
has given dominion and strength, power and glory;
men, wild beasts, and birds of the air, wherever they may dwell,
he has handed over to you, making you ruler over them all;
you are the head of gold.
Another kingdom shall take your place, inferior to yours,
then a third kingdom, of bronze,
which shall rule over the whole earth.
There shall be a fourth kingdom, strong as iron;
it shall break in pieces and subdue all these others,
just as iron breaks in pieces and crushes everything else.
The feet and toes you saw, partly of potter’s tile and partly of iron,
mean that it shall be a divided kingdom,
but yet have some of the hardness of iron.
As you saw the iron mixed with clay tile,
and the toes partly iron and partly tile,
the kingdom shall be partly strong and partly fragile.
The iron mixed with clay tile
means that they shall seal their alliances by intermarriage,
but they shall not stay united, any more than iron mixes with clay.
In the lifetime of those kings
the God of heaven will set up a kingdom
that shall never be destroyed or delivered up to another people;
rather, it shall break in pieces all these kingdoms
and put an end to them, and it shall stand forever.
That is the meaning of the stone you saw hewn from the mountain
without a hand being put to it,
which broke in pieces the tile, iron, bronze, silver, and gold.
The great God has revealed to the king what shall be in the future;
this is exactly what you dreamed, and its meaning is sure.”
We’ve looked at another work by Mattia Preti, his painting of John the Baptist.
From the Getty Museum website:
Although Mattia Preti (1613 – 1699) spent much of his life elsewhere, he is traditionally associated with the city of Naples. Together with Luca Giordano, Preti extended the reputation of Neapolitan painting throughout Italy and internationally. Originally from Calabria in southern Italy, Preti went to Rome around 1630, sharing a room with his brother Gregorio who had arrived about two years earlier. Gregorio may have been Mattia’s principal teacher, although they both also studied at the Accademia di San Luca.
While in Rome during the 1630s and 1640s, Preti achieved his first success. His easel paintings, particularly his early ones, are painted in the style of Caravaggio. His mature style, which reached its epitome in Naples from 1653 to 1660, is intensely dramatic, uniting a Caravaggesque realism and expressive chiaroscuro with the grandeur and theatricality of Venetian artists like Paolo Veronese and Tintoretto. In 1661 Preti went to the island of Malta, where he remained for the rest of his life. While receiving most of the island’s church commissions, he also worked for patrons from across Europe. Preti’s contributions to the late Baroque style in Naples greatly inspired later painters, notably Francesco Solimena.